341 – Three for one. That’s what you’re getting today. Post number 777 and to mark the occasion, three items, one from each of us. I suppose it was inevitable that the mention of threesomes would worm its way into our pre-publication discussions, leaving me (at least) puzzled
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Photokina is done and all the new cameras and lenses are slowly finding their way into reviewers’ hands and some into stores, no doubt filling the early adopters with delight. So, time for a quick look at some of the highlights. Top of the expectation list, Nikon’s mirrorless
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I thought I’d done with zoom lenses some years ago, when the Sony NEX showed me just how many quality images I could shoot with manual prime lenses and a little more personal application. I’m convinced that this simple symbiosis had a radical impact on my photography and so,
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This article is the third and final in a series discussing different aspects of street photography in Asian cities. Previous articles covered the importance of manners and how you approach people in Kuala Lumpur, and my preference for short tele focal lengths in Phnom Penh. This article from Bangkok discusses
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In the second of three articles looking at different aspects of street photography and street portraiture in different cities in South East Asia, I look at the choice of focal length and the effect on the relationship with subjects when taking street portraits in Phnom Penh, Cambodia. If you missed
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Everything else being equal; camera(s) working, correct lens(es) mounted, batteries charged and you have your muse in your pocket, which cities rank best with you for wandering the streets and a successful day out photographing the world going by? We all have favourites, but even then, it doesn’t always
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Regular readers of Dear Susan may have seen previous articles I’ve written about Singapore and Penang, and finding inspiration in some of Singapore’s modern architecture. I’ve travelled in South East Asia for over a decade, and particularly enjoy visiting Asian cities for their culture clash of western modernity, Asian street
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Sometimes Dear Susan articles are the result of private debate between it’s contributors; sometimes it is something that triggers inspiration and the desire for one of us to talk about something. Pascal has recently been telling us and Dear Susan’s readers how much he likes using his Korean fancy from
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Monday. Post day and not a thing to wear publish. That’s not altogether true, but most of the other Susans are toiling away making a crust or two, while I’ve just got back from a (friend’s birthday) weekend in Jozi (Johannesburg). The least I can do then
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There have been many words written about Adobe, its subscription model for software usage and the often dubious benefits attached to the lock-in it delivers. That is the public-facing story. Behind the scenes, most photographers fume at Adobe’s arrogance and many have already deserted the platform for a more
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DearSusan (dearsusan.net) is a collabrative website specialising in travel photography named after essayist Susan Sontag, who criticized the role of photography as “collecting” of world, mainly by travelers or tourists, as if to conform to social conventions rather than explore individual creativity. Articles on DearSusan report on locations accross the world, propose interviews of masters of the craft to help readers develope their vision and review the best suited gear for travel photography.
