#777. Monday Post (15 October 2018) 341 – a milestone of sorts.

#777. Monday Post (15 October 2018) 341 – a milestone of sorts.

341 – Three for one. That’s what you’re getting today.     Post number 777 and to mark the occasion, three items, one from each of us. I suppose it was inevitable that the mention of threesomes would worm its way into our pre-publication discussions, leaving me (at least) puzzled

Read more
#776. Monday Post (8 October 2018) Cleaning up after Photokina and the SBH goes to Singapore

#776. Monday Post (8 October 2018) Cleaning up after Photokina and the SBH goes to Singapore

Photokina is done and all the new cameras and lenses are slowly finding their way into reviewers’ hands and some into stores, no doubt filling the early adopters with delight. So, time for a quick look at some of the highlights.     Top of the expectation list, Nikon’s mirrorless

Read more
#758. The Standard British Handful; Fuji’s 16-55 zoom

#758. The Standard British Handful; Fuji’s 16-55 zoom

  I thought I’d done with zoom lenses some years ago, when the Sony NEX showed me just how many quality images I could shoot with manual prime lenses and a little more personal application. I’m convinced that this simple symbiosis had a radical impact on my photography and so,

Read more
#723. Travel and Street Photography in Bangkok: Get Lost!

#723. Travel and Street Photography in Bangkok: Get Lost!

This article is the third and final in a series discussing different aspects of street photography in Asian cities.  Previous articles covered the importance of manners and how you approach people in Kuala Lumpur, and my preference for short tele focal lengths in Phnom Penh.  This article from Bangkok discusses

Read more
#709. Travel and Street Photography in Phnom Penh: keep your distance

#709. Travel and Street Photography in Phnom Penh: keep your distance

In the second of three articles looking at different aspects of street photography and street portraiture in different cities in South East Asia, I look at the choice of focal length and the effect on the relationship with subjects when taking street portraits in Phnom Penh, Cambodia.  If you missed

Read more
#708. Monday Post (2 April 2018). Where in the world?

#708. Monday Post (2 April 2018). Where in the world?

Everything else being equal; camera(s) working, correct lens(es) mounted, batteries charged and you have your muse in your pocket, which cities rank best with you for wandering the streets and a successful day out photographing the world going by?   We all have favourites, but even then, it doesn’t always

Read more
#699. Travel and Street Photography in Kuala Lumpur: be polite

#699. Travel and Street Photography in Kuala Lumpur: be polite

Regular readers of Dear Susan may have seen previous articles I’ve written about Singapore and Penang, and finding inspiration in some of Singapore’s modern architecture. I’ve travelled in South East Asia for over a decade, and particularly enjoy visiting Asian cities for their culture clash of western modernity, Asian street

Read more
#671. Opinion – What serious photographer would use a phone camera ?

#671. Opinion – What serious photographer would use a phone camera ?

Sometimes Dear Susan articles are the result of private debate between it’s contributors; sometimes it is something that triggers inspiration and the desire for one of us to talk about something.  Pascal has recently been telling us and Dear Susan’s readers how much he likes using his Korean fancy from

Read more
  • #662. Monday Post (30 Oct 2017) – Travel redux

#662. Monday Post (30 Oct 2017) – Travel redux

    Monday. Post day and not a thing to wear publish.   That’s not altogether true, but most of the other Susans are toiling away making a crust or two, while I’ve just got back from a (friend’s birthday) weekend in Jozi (Johannesburg). The least I can do then

Read more
#659. Monday Post (23 Oct 2017) – LightGloom and a sojourn in Stockholm

#659. Monday Post (23 Oct 2017) – LightGloom and a sojourn in Stockholm

  There have been many words written about Adobe, its subscription model for software usage and the often dubious benefits attached to the lock-in it delivers. That is the public-facing story. Behind the scenes, most photographers fume at Adobe’s arrogance and many have already deserted the platform for a more

Read more