#739. An Acute Attack of GAS – Sony A7R111/Nikon D850

#739. An Acute Attack of GAS – Sony A7R111/Nikon D850

  GAS we’ve all had it, in mid May, it struck with a vengeance. The thought process was; maybe, I should change systems and ditch the heavy Nikon D810 and go for a more compact body, like the relatively new highly acclaimed Sony A7R 111, surely any bugs of the

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#709. Travel and Street Photography in Phnom Penh: keep your distance

#709. Travel and Street Photography in Phnom Penh: keep your distance

In the second of three articles looking at different aspects of street photography and street portraiture in different cities in South East Asia, I look at the choice of focal length and the effect on the relationship with subjects when taking street portraits in Phnom Penh, Cambodia.  If you missed

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#701. Monday Post (5 March 2018) – New camera?

#701. Monday Post (5 March 2018) – New camera?

Can you remember a conversation like this over coffee, a few beers, or a casual lunch with a photo buddy?   “I think I’m going to buy a new camera. It’ll help me get some better images and grow my skills.”   It might, but chances are, it’ll spend as

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#661. Sony A7r3, diminishing returns & Maslow hierarchy of needs

#661. Sony A7r3, diminishing returns & Maslow hierarchy of needs

So Sony announced the new iteration of their A7r range. And its promises are numerous and mouth-watering. Better AF, better sensor circuitry, a better battery, a better shutter mechanism, a better EVF, a better IBIS and the star of the show : pixel-shift. All at an unchanged price point. Sweet!

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#656. Photographing the autumn colours of Provence

#656. Photographing the autumn colours of Provence

Provence is best known for its cities, its traditions, its lavender fields, the beautiful coastline. Not really as a competitor for Algonquin Park, then. And it’s true that you’ll struggle to find sweeping landscapes coloured in bright orange. The closest we have to Pando are chestnut trees groves and they

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#647. Sony GM 24-70 : Extreme aspheric bokeh master?

#647. Sony GM 24-70 : Extreme aspheric bokeh master?

Around a year ago, Philippe wrote this review of the then new Sony “G Master” (GM) 24-70mm f2.8 zoom for their full frame E mount cameras. In his review he talked about the excellence of the lens, it’s resolution, it’s sharpness, it’s contrast, but also it’s lack of “magic”. His conclusion was

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#641. Finding Solace.

#641. Finding Solace.

Adrian Turner: I recently wrote about my lack of inspiration following a particularly challenging period in my life, that left me feeling emotionally drained and creatively barren. My inspiration came from an hour of introspection whilst I photographed abstract architecture in Singapore, and led to a reassurance that all interest

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#634. Monday Post (21 Aug 2017): Unsplash – death to sales?

#634. Monday Post (21 Aug 2017): Unsplash – death to sales?

A few days ago, I came across this article on PetaPixel, entitled “the future of photography”. The article is written by Mikael Cho, the founder of a website called “Unsplash”, a social networking photo sharing website on which users to give away copyright free high-resolution photos. I read it with

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#596. Why am I such a bokeh slut?

#596. Why am I such a bokeh slut?

I love bokeh. I am a Bokeh Slut, with BS in capitals, as in … you know what…  Better photographers are critical of that. My friend Boris leans the other way (all sharp), and I didn’t start that way, so, why is that? The first reason is: because I can.

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#576. Sony A7rII vs Fuji GFX. A few 100% samples.

#576. Sony A7rII vs Fuji GFX. A few 100% samples.

We’ve heard a lot about the new medium format cameras from Fuji and Hassleblad and some user reviewers are now surfacing slowly. But what’s been on our mind lately, here at DS, is how these compare to the current star of our Full Frame lineup, the Sony A7rII. And now,

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