#778. What’s in my bag? (episode 1)

#778. What’s in my bag? (episode 1)

Quick intro to this series (Pascal) : There have been many writers on DS, some regular, some on and off . We though it would be interesting for us to describe what we carry around during our shooting sessions, to highlight the vast differences between all of our approaches to

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#709. Travel and Street Photography in Phnom Penh: keep your distance

#709. Travel and Street Photography in Phnom Penh: keep your distance

In the second of three articles looking at different aspects of street photography and street portraiture in different cities in South East Asia, I look at the choice of focal length and the effect on the relationship with subjects when taking street portraits in Phnom Penh, Cambodia.  If you missed

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#701. Monday Post (5 March 2018) – New camera?

#701. Monday Post (5 March 2018) – New camera?

Can you remember a conversation like this over coffee, a few beers, or a casual lunch with a photo buddy?   “I think I’m going to buy a new camera. It’ll help me get some better images and grow my skills.”   It might, but chances are, it’ll spend as

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#641. Finding Solace.

#641. Finding Solace.

Adrian Turner: I recently wrote about my lack of inspiration following a particularly challenging period in my life, that left me feeling emotionally drained and creatively barren. My inspiration came from an hour of introspection whilst I photographed abstract architecture in Singapore, and led to a reassurance that all interest

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#580. Singapore and Penang with Sony’s E-mount

#580. Singapore and Penang with Sony’s E-mount

Readers rejoice, as here is a second great article on photography in Asia by Adrian Turner. If you’ve missed it, you can read his well-received Travel Portraits article here. And now, here is part 2, sent in echo to a similar post featured here a year ago. Lovely photographs and

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#493. Zeiss OTUS 1.4/28. A formal review of a universal lens

#493. Zeiss OTUS 1.4/28. A formal review of a universal lens

This is the last picture I took with this Zeiss OTUS 1.4/28. After this, it was returned to its white and blue box and to the post office to meet its new owner. Lucky man 😉 But I can’t complain, having myself enjoyed, for 3 weeks, the presence on my

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  • #485. A few cheeky yellows*
  • #485. A few cheeky yellows*

#485. A few cheeky yellows*

I guess we’ve all got a pet project, something we never work especially hard at, just collect images in the hope that one day, we’ll have enough for a Web gallery, or maybe even a gallery show.   I’ve had two such projects going for a while now. The first

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  • #460. We take photographs, but we make art

#460. We take photographs, but we make art

On occasion, I’ve been known to resemble Google’s StreetView avatar. Not for my girth – that’s something else entirely – but rather my regular and entirely circular changes of opinion pointing to post processing.   Casually viewing the pages of Flickr, 500px et al will set the tone; photographs of

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#434. The Day the Smartphone Overtook the Camera

#434. The Day the Smartphone Overtook the Camera

  After years of testing camera bodies and high-end lenses, I’ve finally settled for gear that I think will last me a very long time. My Smartphone.     Let’s face it, the Sony A7rII is a brilliant camera, but you actually need the time to walk around with it

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#407. Wide Wide Test. The Zeiss Distagon 2.8/15 ZF.2 review.

#407. Wide Wide Test. The Zeiss Distagon 2.8/15 ZF.2 review.

Zeiss Distagon 2.8/15 ZF.2. These few words pack a whole lot of semantic value. But all I could think of when using mine during the first few days was that 15 part in the middle. This was not a review like any other. Usually, Zeiss send along these lovely optical

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