#830. Monday Post (11 March 2019) – Have you lost interest yet?

#830. Monday Post (11 March 2019) – Have you lost interest yet?

A history of modern cameras leading up to this week-end’s Birmingham NEC … which we shan’t attend.

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#786. Am I going crazy? (Using an inexpensive phone)

#786. Am I going crazy? (Using an inexpensive phone)

Dear Susan member Pascal has written before about the rise of the camera phone and his appreciation for it’s simplicity. They have certainly captured the imagination of the consumer market, and have essentially killed off low end pocket cameras, leaving camera makers like Panasonic and Sony moving increasingly upmarket with

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#778. What’s in my bag? (episode 1)

#778. What’s in my bag? (episode 1)

Quick intro to this series (Pascal) : There have been many writers on DS, some regular, some on and off . We though it would be interesting for us to describe what we carry around during our shooting sessions, to highlight the vast differences between all of our approaches to

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#723. Travel and Street Photography in Bangkok: Get Lost!

#723. Travel and Street Photography in Bangkok: Get Lost!

This article is the third and final in a series discussing different aspects of street photography in Asian cities.  Previous articles covered the importance of manners and how you approach people in Kuala Lumpur, and my preference for short tele focal lengths in Phnom Penh.  This article from Bangkok discusses

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#709. Travel and Street Photography in Phnom Penh: keep your distance

#709. Travel and Street Photography in Phnom Penh: keep your distance

In the second of three articles looking at different aspects of street photography and street portraiture in different cities in South East Asia, I look at the choice of focal length and the effect on the relationship with subjects when taking street portraits in Phnom Penh, Cambodia.  If you missed

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#699. Travel and Street Photography in Kuala Lumpur: be polite

#699. Travel and Street Photography in Kuala Lumpur: be polite

Regular readers of Dear Susan may have seen previous articles I’ve written about Singapore and Penang, and finding inspiration in some of Singapore’s modern architecture. I’ve travelled in South East Asia for over a decade, and particularly enjoy visiting Asian cities for their culture clash of western modernity, Asian street

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#675. Review – SilkyPix Studio Developer

#675. Review – SilkyPix Studio Developer

Here at Dear Susan there has been much discussion recently about raw development and editing software. There have been disgruntled mutterings about Apple’s Aperture, Adobe Lightroom and the monthly tax for continued access to your own catalogue, and various of Dear Susan’s contributors have tried some of the lesser known

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#671. Opinion – What serious photographer would use a phone camera ?

#671. Opinion – What serious photographer would use a phone camera ?

Sometimes Dear Susan articles are the result of private debate between it’s contributors; sometimes it is something that triggers inspiration and the desire for one of us to talk about something.  Pascal has recently been telling us and Dear Susan’s readers how much he likes using his Korean fancy from

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#647. Sony GM 24-70 : Extreme aspheric bokeh master?

#647. Sony GM 24-70 : Extreme aspheric bokeh master?

Around a year ago, Philippe wrote this review of the then new Sony “G Master” (GM) 24-70mm f2.8 zoom for their full frame E mount cameras. In his review he talked about the excellence of the lens, it’s resolution, it’s sharpness, it’s contrast, but also it’s lack of “magic”. His conclusion was

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#641. Finding Solace.

#641. Finding Solace.

Adrian Turner: I recently wrote about my lack of inspiration following a particularly challenging period in my life, that left me feeling emotionally drained and creatively barren. My inspiration came from an hour of introspection whilst I photographed abstract architecture in Singapore, and led to a reassurance that all interest

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