#301. The X100T stretching out.

By Paul Perton | Review

Dec 12
Waiting to cross

Waiting to cross

 

More than a two thousand images on the Fuji since part two, all of them shot in Tokyo.

 

Shinjuku temple

Shinjuku temple

 

I’m finding my way around a bit more now, trying this and that combination. Overall, I’m as impressed as hell.

 

Pink door, Golden Gai

Pink door, Golden Gai

 

Here’s some facts in no particular order:

 

The X100T needs a fast SD card. When I started out, I loaded a 30MB/s SD card I’ve used elsewhere and then felt that the write/read performance was a bit slow while out shooting. Deciding to splash out on a couple of new 64Gb 95MB/s cards made a radical change. Several shots that I’d missed in various after dark spots had been put down to the X100’s slow processing, were in fact the SD card’s glacial write cycle holding things up. A lot.

 

So much so that I think I might go see how much impact an even faster card might have.

 

Going elsewhere

Going elsewhere

 

Fuji need to make some kind of provision to toggle/disable the buttons on the X100T’s rear panel. I have big hands and long fingers. With the X100 in hand, they seem to have a mind of their own and press all manner of buttons at random. Sony made it possible to switch off the NEX-7’s critical controls. Maybe Fuji could do the same?

 

Update – as I expected, I’m getting used to the X100’s buttons, but still long for a “Buttons off” option.

 

The wi—fi pairing with my iPhone is a brilliant concept for discrete photography, but rarely connects first time – usually requiring a re-launch of the app. Great idea but please fix the connectivity.

 

Wood store

Wood store

 

The top panel controls move too easily. This seems to have been a problem with the previous models of the X100, which has subsequently received attention from Fuji’s apparently attention-paying marketing/technical team(s). Despite that, I’ve still managed to move the shutter speed dial off my preferred “A” setting on a number of occasions, finding myself unwittingly shooting at 1/4000 sec – several stops away from where I wanted to be – and cursing at the results.

 

Pre-dawn bike store

Pre-dawn bike store

 

The X100T’s RAW files are full of data. On one occasion, I thought that the change from “A” to 1/4000 would cost me a keeper. Not so. +2.75 exposure change in Lightroom and as much detail as I could possibly want showed up in my shot. Otherwise, shadow and light detail are similarly rich, even in way less than optimal exposures.

 

The manual is written for people with ESP. There seems to be little or no mention of several critical functions – Ken Rockwell insists that the face recognition functionality helps a lot in street/candid work, helping find face focus quickly and with the minimum of stress.

 

Yeah? You might find it in Fuji’s owner’s guide, which sets new standards in brevity. I couldn’t.

 

The electronic shutter is totally silent. Yup.

 

The entire imaging system copes with complexity incredibly well. Take a look at this image and tell me otherwise.

 

Complexity

Complexity

 

I barely need a tripod any longer. See some of these still dark and pre-dawn images for yourself.

 

Pre-dawn

Pre-dawn

 

As with most cameras that please when everything comes together as it should, the X100T is deeply satisfying when it delivers the eyelash focus I want, the shallow DoF I bought an f2 lensed camera for, or blends daylight and other light sources almost faultlessly. And, in discovering those things, I’m finding the X100 a great match against my street shooting expectations. At anything from ISO 100 to 3200 it’s quick to focus, delivers rich, well textured images that work well in post processing to deliver what I’d wanted when I bought this little gem.

 

Non-empirical mark? 8.5 out of 10. 9 might be a fairer response, but I don’t have enough experience with it in-hand yet. I’ll revisit that soon, I suspect.

 

Unexpected find

Unexpected find

  • barrie.green@outlook.com says:

    Thing I hate about the Face Detection (Under the autofocus section) is that it turns off the metering option you have set – because it links the metering to the points its chosen to focus on. So if you’re shooting with it on and theres no face in the picture you’re not sure what is being metered how.

    its also a real pain to manually set the focus point, in fact i’d says it was buggy. I don’t know why we can’t just have a numerical point, rather than having to manually try and get that tiny little point somewhere along the focus line.

    • paulperton says:

      Hi Barrie,

      Having read Ken Rockwell’s comments yesterday, I decided to give Face Recognition a whirl – once I could find it that is.

      Would flaky be a fair description? Sometimes it seems spot on, others miles off. Which is what I’ve done – switched it off. Sorry Ken. I agree with many of your comments, but I’m not convinced about this one and as this trip is (as much as anything) about compiling the InSight: Tokyo guide, I can’t afford to stuff around with something that doesn’t seem to work as advertised.

      Otherwise, the camera’s a cracker. I’ve even managed to stave off buying an A7 II on the strength of it 😉

  • Ian Boys says:

    There is a buttons off option – hold down the MENU button for 5 seconds.

    • paulperton says:

      Thanks, Ian. I’ll give it a try.

    • Alvin says:

      Haven’t tried turning off all the buttons like this. But I suppose if you won’t be using say the function buttons on the left side of the screen you can assign each button to nothing. Much of a hassle if you toggle the functionality on and off depending on use case though.

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