#525. Tokyo colour

#525. Tokyo colour

  Hotel-bound. Crocked.   I’m not feeling too sharp today, so I’m contenting myself with a feet-up (literally) day off, some editing and watching South Africa and Australia battle it out in Perth, via Cricinfo’s ball-by-ball coverage.         I’ve been shooting lots of Tokyo-ites in Fuji’s black

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  • #341. Destination Tokyo
  • #341. Destination Tokyo
  • #341. Destination Tokyo

#341. Destination Tokyo

  Several weeks of Web research, making notes on Evernote to share between my Mac, Mac notebook and iPad accompanied by what felt like an endless round of reading and image gazing and I was just about ready to head for the airport.   Destination Tokyo. In my bag an

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#326. Bellamy Hunt (JapanCameraHunter) on film better than digital, collector gear and photography in Japan

#326. Bellamy Hunt (JapanCameraHunter) on film better than digital, collector gear and photography in Japan

Most of your photography is done in a routine environment while testing gear for your customers. How do you find inspiration in locations you’ve visited so often ? How do you keep your creative juices flowing even in a repetitive context ? A lot of the photography I do to

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#306. Early rising

#306. Early rising

  Early morning, Shinjuku. Really early – 05:05 and I’m already on the streets.   Of course, I blame jetlag but the truth is that several decades of living in Africa have left their imprint; I sleep when it gets dark and wake as dawn arrives. At home, there’s always

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#301. The X100T stretching out.

#301. The X100T stretching out.

  More than a two thousand images on the Fuji since part two, all of them shot in Tokyo.     I’m finding my way around a bit more now, trying this and that combination. Overall, I’m as impressed as hell.     Here’s some facts in no particular order:

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